What use does Plath make of the literary motif of the doppelgnger or double in The Bell Jar? The doppelganger is a well-known motif in myth, folklore and literature. The word comes from doppel "double" and ganger usually translated as "goer". The term refers to any double of a person; sometimes the doppelgnger is a ghostly second self that haunts the first self.
While living in Winthrop, eight-year-old Plath published her first poem in the Boston Herald 's children's section.
He had become ill shortly after a close friend died of lung cancer. Comparing the similarities between his friend's symptoms and his own, Otto became convinced that he, too, had lung cancer and did not seek treatment until his diabetes had progressed too far.
Raised as a UnitarianPlath experienced a loss of faith after her father's death and remained ambivalent about religion throughout her life. A visit to her father's grave later prompted Plath to write the poem "Electra on Azalea Path".
She wrote to her mother, "The world is splitting open at my feet like a ripe, juicy watermelon". She edited The Smith Review and during the summer after her third year of college was awarded a coveted position as guest editor at Mademoiselle magazine, during which she spent a month in New York City.
She was furious at not being at a meeting the editor had arranged with Welsh poet Dylan Thomas —a writer whom she loved, said one of her boyfriends, "more than life itself.
A few weeks later, she slashed her legs to see if she had enough "courage" to commit suicide. Plath seemed to make a good recovery and returned to college. In Januaryshe submitted her thesis, The Magic Mirror: At Newnham, she studied with Dorothea Krookwhom she held in high regard.
I happened to be at Cambridge. I was sent there by the [US] government on a government grant. And I'd read some of Ted's poems in this magazine and I was very impressed and I wanted to meet him.
I went to this little celebration and that's actually where we met Then we saw a great deal of each other. Ted came back to Cambridge and suddenly we found ourselves getting married a few months later We kept writing poems to each other. Then it just grew out of that, I guess, a feeling that we both were writing so much and having such a fine time doing it, we decided that this should keep on.
The sun rises under the pillar of your tongue. My hours are married to shadow. No longer do I listen for the scrape of a keel On the blank stones of the landing. Plath returned to Newnham in October to begin her second year.
She found it difficult to both teach and have enough time and energy to write  and in the middle ofthe couple moved to Boston.
Plath took a job as a receptionist in the psychiatric unit of Massachusetts General Hospital and in the evening sat in on creative writing seminars given by poet Robert Lowell also attended by the writers Anne Sexton and George Starbuck.
She openly discussed her depression with Lowell and her suicide attempts with Sexton, who led her to write from a more female perspective. Plath began to conceive of herself as a more serious, focused poet and short-story writer. Merwinwho admired their work and was to remain a lifelong friend.
Plath says that it was here that she learned "to be true to my own weirdnesses", but she remained anxious about writing confessionally, from deeply personal and private material. Nicholas was born in January Hughes was immediately struck with the beautiful Assia, as she was with him.The Bell Jar () First published under a pseudonym a few weeks before she died,* this skimpily fictionalized account of Plath’s adventures in New York (and subsequent mental collapse) is.
Sylvia Plath (/ p l æ θ /; October 27, – February 11, ) was an American poet, novelist, and short-story ashio-midori.com in Boston, Massachusetts, she studied at Smith College and Newnham College at the University of Cambridge before receiving acclaim as a poet and writer.
She married fellow poet Ted Hughes in , and they lived together in the United States and then in England. Norma Maxzúd Literary Criticism A feminist analysis on Sylvia Plath´s The Bell Jar Linda W.
Wagner-Martin wrote “Sylvia Plath era feminista en un amplio sentido insistió en que se la reconociera como escritora incluso cuando dedicaba más tiempo a sus funciones de madre y esposa” (Wagner-Martin, 11). The bell jar: notes, including life and background, chronology of Plath, introduction to the novel, list of characters, critical commentaries, character analyses, critical essays, essay questions, select bibliography, additional readings.
The Cambridge Companion to Sylvia Plath 9 The Bell Jar and other prose JANET BADIA 10 Sylvia Plath’s letters and journals about the politics of editing and the ethics of criticism.
The essays in both sections are informed by an awareness of gender as a factor in.
A literary criticism of the book "The Bell Jar" by Sylvia Plath is presented. It outlines the novel's main character Esther Greenwood and explores Greenwood's story of reconnection, alienation, and renewal of the American culture.